A fast-talking and fabulous teen recounts his experiences as an out and loud Toronto queer. With catty wit, he recalls his confrontations with straight students at school and his gay prom at a Toronto gay youth community center, told with a flair for drama and punctuated with enactments of his Wonder Woman fantasies. Fung keeps the format simple, giving voice to his subject.

In this episode of The Brenda and Glennda Show, Brenda and Glennda lead a group of drag queens on a trip to Donald Trump’s Taj Mahal Hotel & Casino in Atlantic City. Intended to be a drag queen gambling getaway and a public stage for drag visibilty, the trip turns into a moment of protest and reflection incited by homophobic discrimination. The group is kicked out of the gambling area for supposedly wearing excessive makeup and inapprorpiate, flashy attire — somehow unlike and worse than that of the casino's showgirls and other heavily powdered female patrons.

All forms of human sport become sites for sexual play and celebratory eroticism.

“The tape’s images are quick, suggestive, and sexy: fingers moving into bowling balls, shoe-smelling and toe-sucking, a dog wearing chain jewelry, fish being wrapped at the market, young naked couples having sex.... Edited like a music video, the image track is a constant flow of fetishes that lure us into the promiscuous pace of girls who keep lists of their sexual encounters.”

An erotic lesbian video involving swimming upstream, female power, and fish love. Made as a collaboration under the name E.T. (Ela Troyano) Baby (Jane Castle) Maniac (Cheang).

A pro-domme gives her friend a freshly shaved head. In return she gets a buzz cut. A client gets to be a (bound) fly on the wall.

This title is also available on Chicago Sex Change: 2002-2008, A collection of Minax's early videos that together create a punk-documentary tapestry of young queer life in Chicago in the early 2000s.

Shifting Positions is a semi-autobiographical/fictional trilogy exploring becoming queer later in life, my father's dementia, and our mid- and end-of-life crises. The selling of our family home of forty years prompted the making of the first section, entitled 'Last Home', which investigates the ways memories and spirits inhabit a house. In the remaining two sections— 'Napping' and 'Behavior Of Fascination'—the relationship between father and daugther is looked at through 'home movies' and documented intimate moments of private life. —Kathy High

“The moon, the sometimes dark street, trees, it's warm […] at last, a certain eroticism possible (that of the warm night).” When Roland Barthes visited China in 1973, he jotted down some notes that would become part of his Travels in China (Carnets du voyage en Chine), an underplot of desire in his imagination of the country.

Sirrocco was a drag performer and club icon in Cincinnati, Ohio during the 1980s and 1990s, and was also a close neighbor and friend of Teramana’s. In a series of short interviews, Sirrocco talks about visiting her hometown in Kentucky, hormone therapy, and dating as a transgender woman. 

This latest work from the ReStack’s pulls the experience of becoming mother (both through fostering and bio) through the lens of personal lives that are always, also, steeped in a world where systemic racism, classism and heteronormativity influence and shape.

This latest work from the ReStack’s pulls the experience of becoming mother (both through fostering and bio) through the lens of personal lives that are always, also, steeped in a world where systemic racism, classism and heteronormativity influence and shape.

I was fourteen when I put on my first wig. It was, I believe, my sister’s idea. So she and my mother and I went – I forget where…Simmons and Co.? – some elegantish salon with gold lame drapes where they did not do such splendid work. I sat and accepted the wig. It was like having an ax driven straight down the middle of my body. Beginning at the head. Whack! Hacked in two with one blow like a dry little tree. Like a sad little New York tree.

EMR has created a sigil, a magic sex symbol abstracted from the words TRUST ME (NOT) TO HURT YOU that is spread across rituals of the beast.

Sphinxes Without Secrets is an energetic and transgressive acount of outstanding female performance artists, and an invaluable document of feminist avant-garde work of the 70s and 80s. No Mona Lisa smiles here, as performance artists spill their guts about what outrages and delights them. Performers, curators, and critics unravel the mysteries of a new art form and ponder the world women confront today. Since its inception, performance art has provided a forum for artists who create work that challenges the dominant aesthetic and cultural status quo.

A fable-like tale, Splash explores the interplay between identity, fantasy, and homosexual desire in pre-adolescence within the narrow confines of black masculinity. The tape is an exploration of the filmmaker’s psycho-social and sexual development within a society that encourages the consumption of whiteness and heterosexuality. Splash reveals how the family becomes the agency through which sexual repression and gender conformity are carried out.

A Spy is a gender-bending and thought-provoking mixture of pure visual pleasure with disturbing undercurrents. As Reeve lip-syncs to a Doors song (“I am a spy in the house of love. I know the dream that you’re dreaming of, I know your deepest secret fear...”), we see a new manifestation of Jesus walking in a video field of pulsing rainbows, amoebic forms, and B-movie girls in black panties — suggesting the desires we try to hide from ourselves and others.

A Gay Men’s Health Crisis sex re-education PSA in which an interracial gay male couple hooks up at a bath house, having steamy sex safely. 

Told through the voices of three elderly South Carolinian's who reside in the homes in which they were born, Steven Go Get Me A Switch is an oral history mapping dichotomies of gender, familial mythologies, sexuality, and belief. A heavy use of symbolism comingles with suggestions of narrative proof. The desire to be good and the impossibility of such desire becomes a sharp inaudible pitch, like a dog whistles call to violence.

Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze. At night Blaze turns Dusty’s apprentices into horses and rides them all night long, Finally, Cassidy, the clever apprentice hatches a plan. A psychedelic trip wrapped in a queer western, Stinkhorn is a magical who-rides-who tale with a twist. Combining live action, drawings, miniatures and animation, Stinkhorn is the second story in, Fairy Fantastic!, a gender diverse folk and fairy tale series.

Set in a campy western mining town, Stinkhorn tells the tale of a lady blacksmith named Dusty and her naughty trickster paramour, Blaze. At night Blaze turns Dusty’s apprentices into horses and rides them all night long, Finally, Cassidy, the clever apprentice hatches a plan. A psychedelic trip wrapped in a queer western, Stinkhorn is a magical who-rides-who tale with a twist. Combining live action, drawings, miniatures and animation, Stinkhorn is the second story in, Fairy Fantastic!, a gender diverse folk and fairy tale series.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change. Utilizing and exploding archetypes, the film offers a radical approach to collaboration and the conception of family. Dani and Sheilah collect and arrange images and moments that are at once peculiar and banal, precious and disturbing, creating resonance and contrast through experimental modes of storytelling.

Strangely Ordinary This Devotion is a visceral exploration of feral domesticity, queer desire, and fantasy in a world under the threat of climate change. Utilizing and exploding archetypes, the film offers a radical approach to collaboration and the conception of family. Dani and Sheilah collect and arrange images and moments that are at once peculiar and banal, precious and disturbing, creating resonance and contrast through experimental modes of storytelling.

Having a party and in a fix for a dessert? The “Lady” Bunny has just the recipe: combine a doughnut, Cherry 7-Up, jelly, strawberries, and whipped topping.

This title is only available on Tom Rubnitz Videoworks: Sexy, Wiggy, Desserty.

Produced in collaboration with MICA-TV, Summer of Love is a public service announcement produced for the American Foundation for AIDS Research. Featuring The B-52’s, David Byrne, Allen Ginsburg, Quentin Crisp, John Kelly, and others.

This title is only available on Tom Rubnitz Videoworks: Sexy, Wiggy, Desserty.

... There is a garden in the dark hunger of his psyche where forbidden fruit grows.

— Mike Kuchar

Audacious romanticism displays gardens fueled by the human heart where feelings blossom amid leaf and brick.