Broadcasters across Ireland and Britain have entered into a blackout strike. The workers are transmitting a programme bringing censored voices back onto the airwaves.
"In the late 1980s, as violence continues in the north of Ireland, censorship is increasingly being enforced on British and Irish television. In response, broadcasters have entered into a blackout strike, occupying several stations and transmitting a programme bringing censored voices back onto the airwaves."
I just got this tattoo — you can see it's still healing, the edges are raised like some sort of fancy business card — to mark the completion of this, Series One of my on-going project, Final Thoughts. So, on one wrist, facing fistward, a skull and, on the other, still tender and healing, a ghost. Let them be the mascots for the series, little cartoony avatars.
Karen Finley is well known for her confrontational monologues, often performed in clubs and bars, which exploit the stereotype of the hysterical woman to address the sexual and political taboos associated with femininity. Using a variety of unusual props, such as Jello, chocolate syrup, stuffed animals, and glitter, Finley provokes her audience into thinking about a range of repressions and contradictions in contemporary society. She gained mainstream attention when Congress questioned her NEA funding in the early 1990s.
Interview by Tom Jaremba.
Developed in collaboration with and performed by DonChristian Jones.
The footage was filmed by Eiko during the Rauschenberg Foundation Residency in Captiva, FL in November 2017. Eiko edited the footage in Japan during her 2020 Virtual Creative Residency hosted by Wesleyan University. After editing, Eiko realized this is the first media work she created without her body.
Directed by Eiko Otake as a part of The Duet Project: Distance is Malleable.
A compilation of five early short films made between 1966 to 1969.
Hand Movie 1966, 6:00, b&w, silent, 8mm
Close-up of a hand, the fingers of which enact a sensuous dance. Camerawork by William Davis.
Volleyball (Foot Film) 1967, 10:00 b&w, silent, 16mm
A volleyball is rolled into the frame and comes to rest. Two legs in sneakers, seen from the knees down, enter the frame and stand beside it. Cut to new angle, same characters and actions. Camerawork by Bud Wirtschafter.
five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.
five more minutes is an exploration of grief. Two women spend an afternoon recreating lost time. What begins as play-acting breaks open into a world where the tenderness and sorrow of having to say goodbye exist untempered.
See a boy turn into a tiger. See the lad vomit colors of the rainbow. Watch him toss marbles onto wet bathroom tiles while holding up a green skull. See him squirm on warm bedsheets, wearing only soiled socks on his feet…… This kid has a mouthful of flowery words to spit out to you !
This title comprises Witchery (2008), The Tiger (2009), Swan Song (2009), Medusa's Gaze (2010) and Opal Essence (2010) which were compiled into this form by Mike Kuchar in 2022.
Featuring Vito Acconci, Richard Serra, Willoughby Sharp, Keith Sonnier, and William Wegman
"The Flag is the second part of a video series about the state-controlled national day ceremonies of the Turkish Republic. Shot during the April 23rd Children’s Day celebrations, which mark the establishment of the new Turkish Parliament, and hence the official demise of the Ottoman Empire back in 1920, this split screen film documents a pompous patriotic performance devised by elders to be performed by children.
Drawing from Flaubert's The Temptation of Saint Anthony, his letters, travel journals, and biography, this video layers fantasy, sexual obsession, morbidity, Romanticism, and boredom alongside the ghostliness of empty hotel rooms, aural atmosphere, and an homage to surrealist and horror films.
Co-produced by the Wooster Group, and featuring Ron Vawter
Directed by Elizabeth LeCompte
This is a colorful fable of many foibles involving a man of the cloth who wishes to shed those accouterments for something of a more sinister fabric. The plot tumbles unrelentingly toward a sci-fi tone when a time machine is thrown into the vivid melange and our anti-hero gets caught up with an ancient soul who has the hots for less ancient hunks. There’s spectacle on a budget and young and old doing their best to put on a big show about the sacred, the profane and the goofy.
Presenting his bare torso to the camera, Nauman meticulously applies, and removes, layers of white and black pigment, to his face, arms, and chest. Beyond the link to body art, and the idea of treating the human body as artistic subject matter and material, Nauman enacts a process of self-transformation—a masque applied and removed—as the tape ends where it began.
This title was in the original Castelli-Sonnabend video art collection.
This is an over-the-top Video bouquet audaciously delivered by flamboyant "Pan" – like poets determined to paint the world pink.
Relying on the magic echo found in an old power Station in Norway, the artist whistles and marches to the Internationale, a May Day workers’ song.
This title is also available on Sympathetic Vibrations: The Videoworks of Paul Kos.
"Newly hand-built digital video A to D and D to A with ALU bit flipping. Controlled by an ELF II computer. The image brightness changes also controlled analog synthesizer parameters of the live flute playing. I sat in the camera image zone and played along with the programmed staccato picture and sound shifts. David Jones, digital video design."
– Peer Bode
In a radical action like Nam June Paik destroying a violin, and rolling up in bandages the bodies of the players in in a concert by Yoko Ono, the international avant-garde group Fluxus changed not only art, but the concept of it.
Addressing the tear that Lucio Fontana cut in the canvases of his Spatial Concepts, the performer, Russ Nordman, rejoins and repairs the split screen.
For Example: Decorated is a talk show featuring art world personalities Britte Le Va, Peter Gordon, and James Sarkis. The show begins with Le Va reciting the credits; then she introduces herself, Soviet style — as in Do You Believe in Water? — by saying her name, then clapping. The other guests follow, and as the three converse about the role of art in life, they build little structures with the Lego blocks that cover the coffee table.
The later 1950s and early 1960s saw the development and proliferation of radically new forms of dance driven by a desire to understand the essentiality of movement divorced from traditional, balletic and modern syntaxes. At the forefront of this new wave of performance was Simone Forti, an artist with a hand in both improvisational techniques and choreographed task-maneuvers. This interview details her exploration of each – with a particular focus on her earliest investigations into movement, owing to time spent under the study of Anna Halprin.
An instructional road trip clarifies how to prevent a baby from choking. The giver of said instructions communes with stray dogs along the ocean front. She builds seaside graveyards, petit and monumental sand mountains. She nourishes the sand graves with fresh breast milk.
Cutting to the core of cinematic realism, Fountain presents the plot-less character of human encounters. In a string of moments with the people who have presented themselves to Cumming’s camera for over twenty years, Fountain allows the accidental and the absurd to dominate our impressions. Storytelling is evacuated in the process.
Wobbly's very eccentric approach to music produces sounds and noises that consistently battles Anne McGuire's melodic voice. Anne's lyrics turned poems find a very differenct life in her performances as Freddy McGuire. The video Lottery Ticket is a collaboration with Fou Fou Ha! and Torsten Kretchzmar. Although the dancers of Fou Fou Ha! usually wear colorful, crazy outfits for their comical buffoonery dance performances, in this video it's all about abstract numbers.