Death and Dying

Eiko performed unannounced in the Cathedral of St. John Divine, New York City as an artist in residence in 2016-2018.

Camera by Alexis Moh.

“Nancy Holt’s Revolve, a videotape where the artist, off-camera, interviews her friend Dennis Wheeler who is dying of leukemia, uses his illness and mental reflection as a metaphysical site. Her interview is recorded from the perspective of three video cameras that each capture Wheeler from a different point of view. The three-point perspective was designed to give the illusion of infinity. Holt’s three-camera perspective grips the observer with the reality of the finiteness of death...

A rumination on Time, with a capital "T". Time and its ravages, which really just means its progression, its nature. Set off by an "old" poem, a T.S. Eliot poem that's literally haunted me for 30? or 40? yrs
... even before I became an old man myself.

(It's an old man's rumblings, and it never fails to move me. I used a quote from it in a film I made 25yrs ago, and the book still calls to me from its place on the bookshelf, its pages yellow, dry as bone.)

Habit is an autobiographical documentary that follows the current history of the AIDS epidemic along dual trajectories: the efforts of South Africa’s leading AIDS activist group, the Treatment Action Campaign, struggling to gain access to AIDS drugs and the daily routine of the videomaker, a veteran AIDS activist in the U.S. who has been living with AIDS for more than ten years.

suicide is 70 packed minutes of a fictional filmmaker's crazed ruminations on travel, family history, death and sex as she traverses a world of malls, airports and train stations, chronicling her fiercely hopeful search for a reason to continue living.

A Prayer For Nettie dramatizes the death of an elderly woman who was Cumming’s photographic model from 1982 to 1993, presenting an improvised series of prayers and memorials for Nettie Harris by people who knew her, and some who did not. In its ambiguous mix of tenderness and aggression, A Prayer For Nettie extends the traditions of the grotesque and the absurd. The fervent prayers of the actors are undermined by indifference, forgetfulness, and the presence of the camera. In the end, comedy turns the tables on piety and remembrance as Nettie looks up from the grave.

During a video workshop, the Ikpeng community decides to act out the myth of the origin of the tattooing ceremony. The mythical hero, Maragareum, dreams about the collective death of the villagers of his friend’s Eptxum’s village. Arriving in this village, he finds, in fact, that everyone is dead. As night falls, he hides in the hut, and observes and learns the Moyngo ceremony from the spirits of the dead.

Directed and photographed by Karané, Kumaré, and Natuyu Ikpeng; edited by Leonardo Sette.

In Ikpeng with English subtitles.

Pandora is one who communicates to the human world the powers of the night. These are glimpses of her visions.

A film titled Dance Movie (or, alternatively, Rollerskate) appears in many Warhol filmographies, but no work with this title has been found in the archive. The lost film, starring dancer Fred Herko, was shot in 1963. A year later, Herko leaped out of an open window while dancing to Mozart’s Coronation Mass in C Major. Inspired by descriptions of the missing film and the memoir of Herko’s best friend, the poet Diane Di Prima, Goddess of Speed poetically reimagines the last days of the young performer.

During February and March of 2016, Danspace Project presented Platform, a month long curated program for which Eiko's solo project, A Body in Places, was the focus. At the center of the Platform's dense programs were Eiko's daily solos. Eiko presented 21 performances of A Body in Places in different locations at different times of day and night. In A Body in the East Village, both the camera and the gaze of the audience members closely follow three of these intimate and spontaneous performances.

Listen To This is a fragment of collective memory that finds critical relevance in contemporary Queer discourse.  Tom Rubnitz weaves narration, image, and a form of temporality, dislocated from ‘real time’, into a video where artist and AIDS activist David Wojnarowicz’s loss and anger is palpable.

Voice: off is the autobiography of a forgotten man. Brain damaged, body violated, emotions crushed, Gerry who rarely spoke has now lost the power of speech. The video camera is his prosthesis and he borrows the memories of people who no longer need them. How can this be a comedy? It is. "Donigan Cumming looks at the violence of time that damages the body and exhausts memories. For the main character in Voice: off, Gerald, the illness is incurable. Two cancers are at work, one of which is attacking his throat.

I once read a story about the Tibetan Buddhist Master, Chogyam Trungpa Rimpoche in a book by death-teacher, Steven Levine. Trungpa went into his son's room and said to him, "I'm dying." And then he said to his son, "You are dying too." This story made a deep impression on me because death is the last taboo, the hidden boogey-man, the unspeakable. It was a beautiful lesson in impermanence this father gave his son.

19 out of the 41 shots fired in 10-seconds by four members of the NYPD Street Crimes Unit hit the defenseless body of one Amadou Diallo as he stood in the vestibule of the building where he lived in the Bronx. This video essay seizes on the grotesquely bald, factual precision of this numerical data, proceeding remorselessly on up from number 1 to 41, rubber-banding 10-seconds into fourteen minutes, and then snapping it tight, in an intense, formal contemplation of how police violence is produced and then addressed by other forces on the city streets.

Big_Sleep™ explores problems in our archival urges. Via a single-channel desktop screencast, informatic elements ebb and flow—creating and relating interface absences. These gaps suggest that no amount of hard drive space can defy mortality.

In this video, made soon after the death of his mother Stella, we accompany George to the wake, and on to a trip to Albert Maysles holiday home on Fisher's Island.

"Deep waters flow around the living, dead and inanimate objects that bring this picture to life on the wide screen tapestry of electronic reality. Come and join the young and old of eastern energies as they bask in the sun and shadows of past sins and future fortunes. See how the other side lives and devours the fruits and nuts that pepper this great nation with neon nutrients worthy of Broadway and beyond!"

Offering was co-commissioned by Dancing in the Streets (New York), the Walker Art Center (Minneapolis, where the proscenium version premiered January 9, 2003) and the University of Arizona (Tucson).

Offering is a ritual of regeneration after loss. People everywhere have lost ideals and landscapes that were dear to them. Offering was originally developed as a mobile outdoor work. This transportable dance or living site "installation" can be brought into communities to serve a communal need for a ritual of mourning.

Respite consists of silent black-and-white films shot at Westerbork, a Dutch refugee camp established in 1939 for Jews fleeing Germany. In 1942, after the occupation of Holland, its function was reversed by the Nazis and it became a 'transit camp.'  In 1944, the camp commander commissioned a film, shot by a photographer, Rudolph Breslauer.

The Sky Is Falling... is part of an ongoing series of performances that make up The Data Humanization Project.

A voice for which an event impossible to internalize remains distant. An event that in its distance does not cease to make the narration of something that should not take place anywhere foreign. The military massacre against unarmed students in 1968.

Take a joyride through comfortable suburbia—a landscape molded by seductive television and corporate America (and keep in mind: disaster is another logo for your consumption...). This is the age of the "culture jammed" consumer preened with Friends hair, Survivor courage, and CNN awareness. A generation emptying their wallets for the most important corporate product of all: lifestyle. The psychological road trip across a slightly battered America travels at One Mile per Minute.

A woman raises her voice and gives a painful and endless speech that with time becomes even more overwhelming, because her words are heartbreaking and permanent impressions in the collective memory, stabbing with words an old Mexican film, a celluloid that tears apart until its disappearance.

This title is also available on the compilation What Was Always Yours and Never Lost.

Tanaka passionately evokes the loss of her mother by visually recreating the ominous and disempowering feeling of isolation that accompanies mourning. The tape enunciates the painful phases of grieving: the claustrophobic results of dealing with the inevitability of death, the transitional void where one is lost between the comfortable orientation of one’s world and Nothing, and the new sense of clarity where images from the past resurface from the abyss of forgetfulness.

There is no need to "sin" because Hell is here, just go to the window and peek out…. It’s next door and is on display in this movie.

… See the poet tumble down a flight of stairs as he avoids the clutches of a behemoth babe who practices witchcraft and carries plastic flowers.

"Renwick recounts a sad time in her life, when a friend was dying and she suddenly became aware of the presence of crows... [Renwick] craft[s] a lyrical and moving essay that works its magic through poetic accretion rather than narrative logic."
— Holly Willis, L.A. Weekly