Found-footage video that addresses American racism and the violence that it spawns.
Found Footage
A five-minute video collaboration between Dani Leventhal and Steve Reinke.
"I woke up today thinking I was a dying moose. It's Thursday, October 28th, 2021 and I woke up today thinking that I was a moose slowly bleeding to death of dozens of wounds and contusions. I must have been dreaming something like that, I guess — because I woke up thinking it. A majestic, buoyant moose — but you know, with those big heads you can’t even really turn around to lick or even see any of the blood."
In Spank an eight-second film clip has been re-edited, frame by frame, into a 7 1/2-minute video, tranforming discreet gestures into suggestive, pulsating sequences. This deconstruction of narrative Hollywood cinema exposes and intensifies the authoritative relationship between a man and a young girl.
Repurposing an ancient confessional video diary made about 40 years ago, this 11-minute narrative creates a poignant and humorous conversation where both ‘selves’ question, enlighten, and warn one another about things in life that really matter.
Note: This title is intended by the artist to be viewed in High Definition. While DVD format is available to enable accessibility, VDB recommends presentation on Blu-ray or HD digital file.
The artists of the future and the past converge and converse as the funding dries up and extrapolation envisions extinction.
Home is about disappointment in northern Ohio. The scoreboard depicted is on the grounds of Mansfield Senior High. The sentiment conjures the close call.
This title is only available on Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson.
In 1985 the great soprano Leontyne Price sang the title role in Verdi’s Aida as her farewell opera. After the ‘O patria mia’ aria, the audience breaks into a four-minute applause. Oh My Homeland is the third in a series of minimal single shot 16mm films. It’s a film about representation, art, and material exchange. It’s a film about endings. It’s a film about identity, love, power, patriotism and the transcendent potential of art through the viewing of a face receiving adoration.

