Portrait

Mohamed Yousry: A Life Stands Still (also known as Good Translator) is a short documentary about Mohamed Yousry, a naturalized American citizen who's life changed radically after September 11, 2001. Mohamed immigrated to the United States in 1980. For the next twenty years, he developed a full and happy life, as a husband, father, and academic. On September 13, 2001 Mohamed was approached by the FBI on his doorstep in Queens, NY. After appeal processes and an attempt to extradite him, Mohamed was sentenced to four years in a federal penitentiary in Fort Worth, TX.

J. Morgan Puett is an internationally renowned artist living on a 95-acre compound in the deciduous forests of northeastern Pennsylvania. Touching on ideas of creative domestication, radical pedagogy, and a critical engagement with one’s environment, Ms. Puett describes her unique home, which she calls Mildred’s Lane.

“It (J. Morgan Puett: A Practice of Be(e)ing) tells a unique story of an important artist that truly lives her art. It’s an exclusive biography of a woman who is widely known to the art world but, as yet, undiscovered by our culture.”

—Roderick Angle

Sable Elyse Smith's How We Tell Stories to Children is a single channel video that combines found footage, music clips, and audio of the artist reading with video clips of her father recording himself from prison. Focal points and significant moments seem to always occur just offscreen, or quickly flash away.

"It is only shallow people who do not judge by appearances" wrote Oscar Wilde. Lay Bare is a composite portrait of the human body, revealing it as it is only rarely seen in the most intimate relationships we have with our family or our lovers -- erotic and comic, beautiful and vulnerable.

Music, sound design and mixed by Andy Cowton

Note: This title is intended by the artist to be viewed in High Definition. While DVD format is available to enable accessibility, VDB recommends presentation on Blu-ray or HD digital file.

This video features California artists: drawer and painter Deanne Belinoff, sculptor and poet Sana Krusoe, wood relief carver and painter Palema Holmes, and New York-based video artist Shirley Clarke.

The Artists: Part 1 was produced in concert with the exhibition Four Solo Exhibitions at the Long Beach Museum of Art in 1988. The artists are introduced by LBMA’s senior curator Josine Ianco-Starrels. The video presents and contrasts the diverse styles, media, and personalities of these four women artists.

Enter the classic world of a haunted creature destined for stardom in the astrological realm beyond our heads. Visit a haunted soul in her house of horrors and heavenly delights. Sip tea with a sorceress of song and sorrows, earthly eloquence and ephemeral effusions. Taste her ghoulish goulash and smack thy lips with a forked tongue, for Lucifer and Lilith reside within us all.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

In 1959, Jean Seberg stares into Raoul Coutard’s 35mm camera lens and then turns – the closing frame of Godard’s Breathless is the back of her head. For the film it is a closing. For her character it is less clear. Is it a refusal? A denial? A shying away from? An admission of guilt or not caring? A disappearing act? In 2017 on the streets of Berlin, twenty-three women, friends and passersby, reverse Seberg’s action. 

A musical portrait of Vic Chesnutt and company recording the song, CHAIN.

The piece was shot during the recording session for the album, At the Cut, at the Hotel2Tango studio in Montreal, and features appearances by musicians including Efrim Menuck, Guy Picciotto, Jessica Moss, and Chad Jones. CHAIN was written by Chesnutt after viewing Cohen's feature film of that name.

Mohamed Yousry: A Life Stands Still (also known as Good Translator) is a short documentary about Mohamed Yousry, a naturalized American citizen who's life changed radically after September 11, 2001. Mohamed immigrated to the United States in 1980. For the next twenty years, he developed a full and happy life, as a husband, father, and academic. On September 13, 2001 Mohamed was approached by the FBI on his doorstep in Queens, NY. After appeal processes and an attempt to extradite him, Mohamed was sentenced to four years in a federal penitentiary in Fort Worth, TX.

In Dani Leventhal's video, 17 New Dam Rd., we are invited along on a house visit with a familial group. There's trash in the garden, guns on the sofa, and marshall arts in the living room. A photo session records a young woman throwing punches at a man, playacting for the camera, but sweating anyway. A kitten ignores the bullets littered on the ground. Despite the foregrounding of violent pursuits, lost teeth and pool hall fights, there's a rough camaraderie here, a feeling of loyalty and belonging.

"Between March 1972 and February 1977, the Videofreex aired 258 television broadcasts from a home-built studio and jerry-rigged transmitter in an old boarding house they rented in the tiny Catskill Mountain hamlet of Lanesville. It was a revolutionary act in defiance of FCC regulations — the first unlicensed TV station in America."

Five improvisers are asked to ‘channel’ the psyche of Tony Blair. George Barber asks questions, and also feeds the improvisers anecdotes from various sources about Tony Blair’s life and experience as the Prime Minister of the United Kingdom. The work’s unifying themes are: Tony Blair landing in the Iraqi desert at night; meeting George Bush, and the regrets of his key decisions.

On May 11 2004, Steve Kurtz phoned 911 to report Hope, his wife of 20 years, was unresponsive. When paramedics came to his house, one of them noticed that Kurtz had laboratory equipment, which he used in his art exhibits. The paramedics reported this to police and the FBI sealed off his house.

Authorities later said that Kurtz's wife had died of "heart failure," but he wasn't allowed to return to his home for two days while the FBI confiscated his equipment, and biological samples. They also carted off his books, personal papers and computer.

tryphon: three sounds is a candid portrait of the artist Thomas H. Kapsalis (b.

In a fragrant garden warmed by the sun, a young man inhales the atoms of the world and exhales thoughts that probe the very essence of his existence. 

Embraced by a gentle breeze in that tranquil place kissed by the sun, he embarks on a journey inward to that spiritual and sensual state best described as the "cosmic consciousness", - the "quest" to "understand" and "accept".....to have "peace of mind".

Merce by Merce by Paik is a two-part tribute to choreographer Merce Cunningham and artist Marcel Duchamp. The first section, “Blue Studio: Five Segments,” is an innovative work of video-dance produced by Merce Cunningham and videomaker Charles Atlas. Cunningham choreographed the dance specifically for the two-dimensional video monitor screen. Atlas uses a variety of video imaging effects, including chromakey, to electronically transport Cunningham’s studio performance into a series of outdoor landscapes. The audio track includes the voices of John Cage and Jasper Johns.

A short portrait of artist Anne Truitt (1921-2004). The film consists of an interview and 16mm footage made in and around her studio at the Yaddo artist colony, as well as footage from her home studio in Washington D.C.  Rather than an attempt to depict her art, which is in many respects un-photographable, the core of the film is found in Truitt speaking about the course and meaning of her work. Says Cohen, "I was honored to know Anne Truitt, and doubly so when she allowed me to make a short record of her presence and thoughts.

In the late 1990’s I presented a slide lecture on how my art references impermanence and dying. In 2014, video artist and editor Tobe Carey scanned the slides from the lecture and we collaged together the spoken narrative, images both of my own work and also of death rituals from many different cultures, creating an Endgame-like collage. There are images from my study in Benares at the Burning Ghats, images from my film Mitchell’s Death, and descriptions of ways that my work and death seem to be close cousins.

This moving video portrait follows a group of teenage boys who attend the Masada School, a school for juvenile delinquents and social misfits. The boys worked on every phase of the video, and present a picture of themselves that challenges society’s, and their own, typecasting. The humor, philosophy, and honest retelling of the students’ stories details the Catch-22 of living on the street, how parents' problems are passed on to the boys through abuse and neglect, and the struggle each feels to keep hope for a better life.

still/here is a meditation on the vast landscape of ruins and vacant lots that constitute the north side of St. Louis, an area populated almost exclusively by working class and working poor African Americans. Though it constructs a documentary record of blight and decay, still/here is a refusal of closure that dwells within the space of rupture and confronts the presence of a profound absence.

–– Christopher Harris

Camera, sound, edit: Christopher Harris

Additional camera: Joel Wanek

The latest in Marie Losier's ongoing series of film portraits of avant-garde directors (George and Mike Kuchar, Guy Maddin, Richard Foreman), DreaMinimalist offers an insightful and hilarious encounter with Conrad as he sings, dances and remembers his youth and his association with Jack Smith.

A cold stone structure stands in frigid defiance to the moral decay which shrivels the leaves of erect extensions to the human lust for creative expression. This video portrait of art in the making and cats on the prowl will let out of the bag a Pandora's mix of cat chow and chit chat befitting upright blokes.

A brief visit with a graduate student in the painting department of the art college where Kuchar teaches and the discussion that follows the unveiling of his work. Stroll through a gallery of acryllic-rendered innocence gone awry and the yo-yo generation in heat.

Mexican video artist Ximena Cuevas documented the preparations and opening of the Marina Abramovic Videoinstalaciones exhibit at Mexico City's Laboratorio Arte ALameda, the first Abramovic exhibition ever to take place in Mexico, in November of 2008.  Cuevas captures the self proclaimed "performance grandmother" in a number of personal and performative moments as she readies for the opening.